Wonder Woman

Sep. 23rd, 2017 06:40 am
cactuswatcher: (Default)
[personal profile] cactuswatcher
I'm always late to the party when it comes to seeing movies, but there are some I look forward to seeing.

Spoilers if anyone cares )
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Posted by Marykate Jasper

After dedicating the facility back in May of 2016, yesterday NASA opened the Katherine G. Johnson Computational Research Facility (CRF) at Langley Research Center in Hampton, Virginia. Johnson, whose life was one of the inspirations for Hidden Figures, worked as a “human computer” at Langley in the 1960s, calculating the trajectories for the first US space flights, including John Glenn’s orbital mission and the Apollo 11 lunar landing.

According to NASA’s fact sheet, the $23-million facility consolidates more than 30 server rooms into a state-of-the-art, energy-saving structure. This CRF will “enable innovative research and development supporting NASA’s air mobility and space exploration missions” and “advance[] Langley’s capabilities in modeling and simulation, big data, and analysis” – a fitting tribute to Johnson’s own achievements, and to the achievements of other women who powered NASA, like Mary Jackson and Dorothy Vaughan, who are also honored on the walls of the facility.

In a pre-recorded video interview, Johnson answered a number of questions about the honor. Asked what she thought about NASA naming a building after her, she laughed, “You want my honest answer? I think they’re crazy.”

Continuing more earnestly, she urged, “But give credit to everybody who helped. I didn’t do anything alone but try to go to the root of the question, and succeeded there.”

In the rest of the video, Johnson emphasized two of her favorite pieces of advice: like what you do, and do it to the best of your ability. “Do your best,” she advised young engineers, “but like it! Like what you do, and then you will do your best.”

My favorite part of the video has to be near the end, when you can still see Johnson’s wonder and curiosity as she remembers her groundbreaking calculations. She looks off into the distance as she talks about work and the stars. “I liked work,” Johnson said. “I liked the stars, and the stories we were telling. And it was a joy to contribute to the literature that was going to be coming out. But little did I think it would go this far.”

I dare anyone to watch her, at 92 years old, talk about space and math that way and tell me STEM is some sort of boy’s trade.

One of Johnson’s interviewers suggested that, perhaps, the trajectories that finally get humanity to Mars may be calculated in the Johnson CRF – and that’s the future I like to think they’ll create here. Here’s hoping one generation of black women engineers, who brought us to the moon, inspires the next generation to reach Mars.

(Via The Guardian and NASA; featured image via YouTube thumbnail)

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The rain hath rainedeth every day

Sep. 23rd, 2017 05:03 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

But nonetheless there has been sightseeing.

I already mentioned Rynek Underground.

The Mehoffer House, which is an artist's house, pehaps more interesting for the interiors than the art, but with an ace cafe, the Meho Cafe.

The National Museum - there are lots of branches, we went to the main building, which seemed mostly arts and crafts + the Lady with the Ermine.

There is probably more to see than we saw at Wawel Hill, but we did the State Rooms and the Royal Private Apartments of the Royal Palace, and the cathedral. Must remark that dwelling in marble halls, or at least spending several hours walking/standing on floors of that substance, does my lower back thing no favours.

We did an organised tour to the Wieliczka Salt Mine: very impressive. (Much more spectacular than the one in Cheshire which is now an archive store.)

Today we went to Kazimierz, which on reflection, was not, being Saturday, the ideal day to do so - had intended going earlier in the week but ran out of time/energy.

There have also been visits to a number of churches, which after a while tend to run together - lotsa baroque.

(no subject)

Sep. 23rd, 2017 04:45 pm
tree_and_leaf: Isolated tree in leaf, against blue sky. (Default)
[personal profile] tree_and_leaf
Belated happy birthday, [personal profile] nanila!

只因有你

Sep. 23rd, 2017 10:55 am
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Posted by <a rel="author" href="/users/Delete_Me/pseuds/Delete_Me">Delete_Me</a>

by

史蒂夫崩溃了,而他需要托尼

Words: 45, Chapters: 1/1, Language: 中文

[Fancomic] Breakable But Not Broken

Sep. 23rd, 2017 10:38 am
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Posted by <a rel="author" href="/users/xCapsiclexShellheadx/pseuds/xinsomniac1101x">xinsomniac1101x (xCapsiclexShellheadx)</a>

by

A fancomic where Tony gets hurt during an attack by Dr. Doom. Steve is still haunted by that day where Tony almost died.

Words: 0, Chapters: 17/17, Language: English

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Posted by <a rel="author" href="/users/navaan/pseuds/navaan">navaan</a>

by

After he discovers that a high ranking government official is the leader of the terrorist organization known as the Secret Empire, Steve Rogers decides to give up being Captain America. (Captain America Vol. 1 #180). Now he tries to find out what else to do with himself.

Picking up a new hero identity and keeping in touch with the man he's had a bit of a crush on since he met him, leaves a lot to work out.

Words: 7884, Chapters: 1/1, Language: English

This Is My Brain on Steve

Sep. 23rd, 2017 10:13 am
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Posted by <a rel="author" href="/users/Veldeia/pseuds/Veldeia">Veldeia</a>

by

Steve isn't quite sure what to expect when Tony promises to send him more brain scans, but he's not going to decline an offer to learn more about the man he's fallen head over heels for.

Words: 6004, Chapters: 1/1, Language: English

I Don't Remember

Sep. 23rd, 2017 06:40 am
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Posted by <a rel="author" href="/users/MiniRaven/pseuds/MiniRaven">MiniRaven</a>

by

Magic stole a part of Steve's memory. He's not worried. I'll come back eventually. But there's something important he needs to remember right now. What is it? Why this? Why now?

Words: 1023, Chapters: 1/1, Language: English

The Blood is the Life for 23-09-2017

Sep. 23rd, 2017 11:00 am
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[personal profile] miss_s_b

Outlander 3.02: Surrender

Sep. 23rd, 2017 09:00 am
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Posted by Redheadedgirl

outlander season 3 with claire and jamie on either sides of a stonePreviously: Jamie survived Culloden, and got sent home to Lallybroch. Claire had their daughter and is trying to make a home in Boston.

The title splash is a redcoat posting a wanted poster for an outlaw called the “Dunbonnet.”

At Lallybroch in 1752, three boys, in the manner of troublemaking boys, find a hidden pistol in the dovecote. They are Rabbie, Wee Jamie, and Fergus (HEY FERGUS). Their bragging is interrupted by a bunch of soldiers who are looking for the Dunbonnet, who might also be Jamie. Jenny, who is very pregnant again, tells them (as they arrest Ian), that they haven’t seen Jamie since the filthy traitor went to the rebellion. The soldiers remind them that anyone harboring a traitor will be hanged, and they tell him the same thing they told five other commanders – there’s no Red Jamie there. They arrest Ian anyway, and Fergus spits at the Redcoat who is a Corporal MacGregor.

Of course, Jamie is there, in ragged clothes, long hair, and generally looking not at all like himself. He successfully hunts a stag (with a bow and arrow) and brings it to the house after dark. When he walks in, he has a vision of Claire working in the garden, but it’s really Jenny. He’s haunted and hunted and isn’t used to talking.

Jamie carries a stag to Lollybroch. He thinks he sees Claire, but when the woman turns, it's Jenny.

Inside, they butcher the deer, Jenny and Fergus keeping the conversation going while Jamie is silent. Jenny also asks Jamie if he can help with the books, since Ian is away for a bit. Jenny also tells him that her conscious is clear when it comes to lying, because she’s not: “James Fraser hasn’t been here for a long, long time.”

Claire, in her bed, pants as she remembers Jamie in happier times (by which I mean sex and fun bed times). We get a nice shot of Sam’s butt in her memory. But it’s Frank sleeping by her side, and she’s alone.

It’s 1949, and Claire puts Bree in her bed (with her Bunny), and in the Globe, there’s an article about Irish Independence. Bree fusses a bit, and Claire tells her that she’ll want to hear this: “This is history in the making.” Bree makes her own history by rolling front to back the first time. (Claire’s dressing gown is very 1940s, but also reminiscent of one of her Paris dressing gowns, which is a nice touch). Frank comes down in just a towel and they marvel over their clever daughter who rolls over a month ahead of schedule. Claire puts on a hand on his naked chest. It’s a moment, and neither is too sure what to do with it.

Frank holds baby Bree. Claire touches his chest.

Jamie paces through the woods to his little cave covered by bushes. He hears someone outside, but it’s just Fergus, who SAYS he was very careful and doubled back on his trail. He’s brought the pistol and wants to learn how to shoot so he can be ready for the next rebellion. Jamie tells him there won’t be another one, and Fergus snaps ,”Just because you’re a coward now doesn’t mean I am!” Jamie just tells him that weapons are outlawed, so PUT IT BACK.

In the house, Jamie comes to help with the books, and finds that Jenny is in labor.  Mary tells him not to worry. The boys are doing their chores, and see a raven. Rabbie tells them that his Granny said ravens are messengers of death, and they shouldn’t be near a birth… so they decide that the best thing to do is get the pistol and shoot the raven.

Of course, there are soldiers near enough to hear the shot. Jamie is about to throttle one or all three of them, when Mary tells him that the baby has been born- a boy- and takes the gun.

Inside, Jenny is quite pleased with herself, and is going to name the new baby Ian. He is a wee chicken. Jenny tells him that Jamie looks good with a baby, and then asks how long it’s been since he had sex. Jamie tells her to not go there, and she’s like it’s been 6 years and Mary McNab is young enough. Jamie takes the baby out to meet the others, when he hears the soldiers looking for the gun. Jenny settles herself in bed, and calmly tells them that there’s no weapons. They threaten to search the house. Baby Ian starts making noises and Jamie shoves a fingers in his mouth, and Jenny’s like look, we always cooperate, there’s no weapon!

He asks her if she’s given birth, and she tells him that baby came early and was dead. (MacGregor says that’s good, it’s one less Scot to deal with.) They ask where the body is, and then the Captain gives and order to find the midwife. At the point, Mary comes in with the pistol. She tells them that it belonged to her husband, and she kept it because it gave her comfort, and she fired it at a raven to protect that baby. MacGregor scoffs at the “stupid Highland superstitions” and offers to take her into custody. The captain says nah, they have the weapon, but warns Jenny that if anything happens again, they will not be so lenient.

A solider snatches the gun from Mary.

The soldiers leaves, and Jenny muses that she’s seen the look in that captain’s eyes before… he’ll not give up. She tells Jamie to dig a fresh grave in the cemetery, just in case.

In Boston, Claire wakes Frank up and says she “misses her husband” and initiates sex (with her on top). This is the first time they’ve been together since she came back.

In Scotland, Ian is brought back, and MacGregor tells him that the garrison is searching to north and south, and they’ll be back. Fergus eyes them darkly.  Ian thanks them for the “lovely visit.”

Fergus sneaks out, where there is a soldier hidden, waiting to see who leaves the house. In the woods, Fergus knows he’s being followed, and leads the pair of soldiers, including MacGregor, on what he intends as a merry chase. He taunts them Frenchishly, runs, gestures, and taunts them a second time. Jamie hears the yelling and sneaks to see Fergus spending more energy on taunting and less on running. Fergus gets cornered by another pair on horseback, and MacGregor uses his saber to cut off Fergus’s right hand. The soldiers leave, and Jamie tumbles down the slope and puts on a tourniquet and brings him back to the house.

Jamie picks up a wounded Fergus.

Inside, Jamie paces by the fire, and Jenny tells him that Fergus is alive because of Jamie. Jamie says he should have stopped them, and Jenny sensibly points out that if he had, then they would all be dead. Jamie falls to his knees, sobbing, and Jenny holds him.

After he’s collected himself, Jamie finds Fergus, who says that Jenny has been quite generous with the whiskey (Though he prefers the taste of French wine). And that he’s sorry. Jamie says that Fergus reminds him that he does have something to fight for, and Fergus smiles: “There you are, Milord.” Fergus also reminds Jamie of the agreement they made in Paris: if Fergus lost an ear or a hand in his service, that Jamie would support Fergus for the rest of his life: “In one stroke, I have become a man of leisure, no?”

A pale Fergus, lying in bed. I have always trusted you, milord.

Claire and Frank are having Millie (the neighbor Claire met) and her husband over for dinner. They are having Eton Mess for dessert, and Millie laughs that she doesn’t do baking – if it’s not in the freezer section, too bad. Jerry says she that her “talents lie elsewhere.” They are affectionate, and easy with each other, in the way Claire and Jamie were and Frank wishes they were.

After Millie and Jerry leave, Frank pours Claire a nightcap, and after some banter, she takes his glass, removes her panties, and guides his hand between her legs. Her eyes are closed as he lays her down in front of the fire, and he asks that she look at him. She refuses, and he stops. He doesn’t want to be used as substitute: “When I’m with you, I’m with you. But you’re with him.”

Claire and Frank, face to face. Claire is untying his tie, mid seduction.

The him in question gets a drink from Ian, and Ian talks about the phantom pains he gets in his leg: “Feeling a pain in a part of you that’s lost…Claire was your heart.” I dunno, that’s laying it on bit thick, show. Upstairs, Jamie sees a tapestry with the family arms on it that’s been slashed – the British did that. Jamie muses that they won’t stop until he’s found.

Jamie’s plan is to have Jenny turn him in: that way they get the reward money, they prove their loyalty to the Crown, so the soldiers will stop harassing them. Jenny hates the idea, like REALLY hates it. She’ll hide her brother forever if that’s what he needs, because Ohana Means Family. Jamie’s plan is that Jenny will tell the British that she’s heard from Jamie, and she knows when he’ll show up, so that’ll be that. Jenny says that he’ll be “hangit” but Jamie doesn’t care all that much, and besides, it’s been seven years. They’re not hanging people that much. It’ll just be prison. Jenny asks Jamie if he’s not seen enough prisons, and he shrugs. “Little difference to the prison I live in now.”

Jenny says "Have you not seen the inside of enough prisons for one lifetime?" Jamie replies "Little difference to the prison I live in now."

In his cave, Jamie sees Mary bringing him food and offers him company. She shaves him, and cuts his hair, and he thanks her for her bravery for turning over the pistol to the British. He leaves to go bathe, and tells her to bring back the books to the house, and toss the rest. She doesn’t though: she offered him company, and he comes back to find her in her shift.

What she’s offering is a moment of humanity. She’s not trying to compete with Claire. “Something we both need. Something to keep us whole as we move forward in this life.” He wrestles with himself, and admits that he hasn’t done this for a while. She hasn’t either, but they figure it out.

In Boston, Claire walks with Bree in her pram, and Bree is a super cute baby. Claire voiceovers that she did her best to resign herself to her new role as wife and mother, while looking at a headline announcing that Truman appointed a woman as Treasurer. She’s been a part of something larger, and eventually… she picks up a knife, and holds it like scalpel, and the picture fades into her actually holding a scalpel. “I would need to do something more.”

A SMILING BABBY BREE. IN A HAT. BECAUSE BABIES COME WITH HATS

She’s in the Anatomy classroom at Harvard Medical. She’s a first year, and her professor muses that Harvard is being super modern this year, with a woman and a Black man in the class. Claire takes her seat amid the hostile glares of her classmates, until the Black man walks in. He asks if he can sit next to Claire, and she smiles.  His name is Joe Abernathy. They shake hands, while the white dudes shake their heads in disgust.

The professor starts class: “Alright, gentlemen. Let’s begin.”

Claire and Joe, looking at each other and smiling in a sea of white dude faces in their anatomy class.

At the house, Claire comes into bed. She and Frank now are sleeping in twin beds.

Frank, turning out his light next to his twin bed. Claire is asleep in the twin bed next to him.

Jenny feeds the chickens in the yard, and Jamie – shorn and shaven and looking like himself, comes to the gate. He swallows hard before saying that he’s come home (and takes off the brown hat). She says nothing, and the soldiers come out of hiding and seize him. He, acting, says, “No, Jenny!”

She, not acting, says that he brought this on himself and she’ll never forgive him for making her do this. The captain arrests Jamie and gives Jenny a large pouch of coins, and she looks away and ashamed. But she takes it. He’s loaded into the cart, and she runs into the house, crying. Jamie sits in the cart, staring at the irons on his wrists.

Jenny, yelling after her brother, "You gave me no choice, brother, and I'll never forgive you. NEVER."

Claire walks across a bridge where a man playing Scotland the Brave on bagpipes is. She pauses to put money in his case, and walks on.

RHG: JOE ABERNATHY you are my favorite new character to come out of Voyager. HELLO.

I had a lot of thoughts while watching this episode- among other things, I’m not as enamored with Voyager as I am with the first two books, so my knee jerk “grouchy when things are changed” is considerably less that it was the first two seasons.

The second was articulated beautifully by this piece on (Bustle? I think it was Bustle) about how this episode made the point that the emotional part of sex exists for men, too. Frank wants the connection, he doesn’t want to be a sex toy. Mary understands that Jamie also wants the connection, and she can and will give him what she has to give.

Fergus, oh Fergus.  Fergus, Fergus, Fergus.

Elyse: See, this is why I stopped reading after Outlander. I want my hero and heroine to overcome their pain and live happily ever after together. Instead Jamie is living in a sadness cave and Claire is sleeping in a Dick VanDyke bed next to a guy she doesn’t love anymore. Also I’m not chill about a kid getting his hand cut off.

So as a non-Voyager reader I just kinda let my head hit the back of the couch and went, “but whhhhhyyyyyy aren’t they together? Whhhhhyyy angst?”

I like that Jenny and Mary are holding everything together though. Jamie and Ian aren’t really present (by no fault of their own) and once again, Jenny is getting shit done.

What about you? How did you like this episode? 

For What It's Worth

Sep. 23rd, 2017 04:42 am
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Posted by <a rel="author" href="/users/Sharl/pseuds/Sharl">Sharl</a>

by

Peter Parker has lost everyone he loves. All alone now, Peter doesn't expect much from life.

The universe seems to think otherwise.

This is a story following Peter Parker's journey (later Peter Stark, legally adopted son of Tony Stark and Steve Rogers) and his life as an heir of Stark Industries. Throws in a Wade Wilson somewhere in there, and somehow Peter's life takes a rather interesting turn.

Words: 2423, Chapters: 1/7, Language: English

[syndicated profile] smartbitches_feed

Posted by Carrie S

B

Alex + Ada: The Complete Collection

by Jonathan Luna
November 16, 2016 · Image
Comic

Alex + Ada is a series of three graphic novels by Jonathan Luna and Sarah Vaughn. The series is a love story between a man named Alex and an android named Ada. Over the course of the story, there are many parallels with past and current civil rights movements, as well as explorations of how, specifically, a rights movement for sapient androids might play out. It’s a tender, sweet story with moments of horror and tragedy but also with a truly enduring and endearing romance.

Alex is mooning over his ex-fiancée when his grandmother decides to get him an android companion. Alex’s grandmother, who is a constant source of comic relief, expresses great and uncomfortably explicit delight with regard to the success of her own android, Daniel. One day Alex comes home and finds a surprise from Grandma – an android named Ada.

Alex is quite creeped out by Ada’s complete lack of agency or interest in anything other than whatever he orders her to seem interested in. He is polite to her but can’t figure out how to interact with her (and no, he doesn’t have sex with her). Alex finds an online forum about android rights and learns that androids were built with the ability to be sentient, but have had that ability locked away. Unlocking an android is a difficult and illegal task but a person in the forum offers to unlock Ada. Ada would be a fully conscious person albeit still in an android body.

From this point on, Ada has agency and more of the story is told from her point of view. Unfortunately, unlocking a sentient is extremely illegal, as is simply being a sentient robot. Alex and Ada try being friends and try being lovers, while they also figure out what their lives can be like as a couple and individually given that Ada’s sentient state has to remain a secret.

Ada and Alex almost kissing

The art in Alex + Ada is very simple, but I thought it fit the story. There’s no panel tricks here – everything is drawn inside uniform rectangles and the color palette is subdued. This allows the focus to remain on faces. Even when Ada is standing still and not speaking, it’s easy to tell when she is sentient and when she is not.

The focus of the story is very much on Alex and Ada, but I loved the side characters as well. The only problem is that the more villainous characters are too one-sided whereas the more sympathetic characters are either allowed more complexity or are simply more pleasant to be around. There are multiple examples of healthy, happy relationships that involve a variety of races, ages, gender preferences, and human or non-human statuses. I’m especially fond of a character with a prosthetic leg who wants to upgrade and hang his older prosthetic leg on the wall. His wife is generally supportive, but in an aside to Ada whispers, “That’s NEVER GOING TO HAPPEN.”

robot love. The older model robot lacks certain parts but, says his lover, is very good with his hands. The robot says I can vibrate.
Tee hee hee

This isn’t a very complex story and it doesn’t say anything we haven’t heard before about what makes a person a person. It’s also pretty brief and could use more elaboration about the world and other characters.

However, its very simplicity makes it emotionally focused. While everyone in the story is worried about society and the place of sentient robots and whether sentient robots will kill people and how to catch them, Alex and Ada just want to live their lives together. The story is affecting because of the relationship between Alex and Ada, and between their friends. There’s tough going at the end of the story but it ends on an optimistic note, with Alex and Ada poised to be the slightly boring suburban couple they always wanted to be.

Working Man

Sep. 23rd, 2017 01:43 am
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Posted by <a rel="author" href="/users/ChunkBueller/pseuds/ChunkBueller">ChunkBueller</a>

by

Steve takes an interest in the new pool boy while his husband is away. Or so he thinks...

Words: 1273, Chapters: 1/1, Language: English

Repentance

Sep. 23rd, 2017 01:02 am
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Posted by <a rel="author" href="/users/Naxa1818/pseuds/Naxa1818">Naxa1818</a>

by

After a strange energy reading appears in New York, Tony encounters The Civil Warrior, a Steve Rogers from another universe who's filled with regret. The Civil Warrior's greatest enemy from his universe--Victor Von Doom--won't stop until Tony's dead, but the Civil Warrior vows to keep Tony safe no matter what the cost.

Words: 6270, Chapters: 1/3, Language: English

Outbreak

Sep. 23rd, 2017 01:01 am
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Posted by <a rel="author" href="/users/a_salty_alto/pseuds/a_salty_alto">a_salty_alto</a>

by

This was supposed to be easy. It was suppose to be simple.

They just had to bring in Tony and the others to SHIELD.

Steve would have been fine. He’d have just pretended Tony hadn’t been on his mind the entire time they were apart.

Pretend it wasn’t like being dunked head first into the ice again when he realized that Tony had cared more about Arsenal than the team. Than Steve.

Yeah, things would have been real simple.

Words: 388, Chapters: 1/1, Language: English

[personal profile] archangelbeth on cats

Sep. 23rd, 2017 01:19 am
conuly: (Default)
[personal profile] conuly posting in [community profile] metaquotes
Cats can reproduce by budding. Make sure to dispose of all brushed fur properly.

Context needs to comb her cat more often.

Don't Be Afraid to Catch Feels

Sep. 22nd, 2017 11:32 pm
[syndicated profile] ao3_stevetony_feed

Posted by <a rel="author" href="/users/inkyubus/pseuds/inkyubus">inkyubus</a>

by

It's autumn at Avengers Academy, and Steve would love to ask Tony to Fall Ball, but that famous supersoldier courage has abandoned him when he most needs it. Not to mention Tony thinks Steve barely tolerates him. That might be an issue.

Words: 3926, Chapters: 1/1, Language: English

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